Brigitte Miriam Bedos-Rezak, “Printed Matter in the Pre-Modern West (8th-13th centuries)” (Penn, 11/28)

Please join us Monday, November 28th, for the next meeting of the Workshop in the History of Material Texts. We will convene at our usual time and place: 5:15pm in the Class of 1978 Pavilion in the Kislak Center on the 6th Floor of Van Pelt-Dietrich Library.

Abstract: The printing revolution of the fifteenth century has informed interpretations of the large quantity of printed material that circulated in medieval Europe teleologically. With a focus on documentary authentication and sealing practices in Western Europe between the eighth and the thirteenth centuries, I propose to re-examine the usual conflation of printing and book by considering printing as a technology that marked many types of material supports, producing and reproducing diverse artifacts, many of which were central to medieval lives. I will argue that it was a process of manufacture, the act of imprinting, that imbued printed matter, sealed charters in particular, with their particular potency during the Middle Ages. The argument will be supported by attention to three distinct aspects of seal agency: the conception of the imprinted image as an achiropoietic object; the inherent properties of printed material and the metaphors thereby generated sublimating representation as presence; and the imprint, understood as a natural sign, which complicated the philosophical field of natural magic.

Brigitte Bedos-Rezak is Professor of History at New York University (NYU) and affiliate Professor at NYU’s Institute of Fine Arts. She is currently at work on a monograph devoted to Printed Matter in the Middle Ages, and on a special issue of issue of the journal, The Medieval Globe, devoted to Seals: Imprinting Matter, Exchanging Impressions.

Digital Medievalist Community Engagement Survey

If you have an interest in the application of digital humanities to medieval studies, please consider completing this survey and becoming part of the Digital Medievalist community if you aren’t already.

Hey Digital Medievalists!

We need your help.

In order to better understand what you are looking for as a member of the Digital Medievalist community, the DM Executive Board invites you to complete a survey to help us better understand your interests and the expectations. The results of the survey will help us shape community priorities as we prepare a new strategic vision for the community.

Please use the following link to participate in the survey: https://goo.gl/JFSkPQ

Note: This survey has already been issued during the executive board election last July. If you have already completed the survey, your answers have been saved and we award you a virtual gold star for your effort and support. Thank you! You do not need to fill it out again.

Many thanks,

The Digital Medievalist Executive Board:

Alberto Campagnolo, President

Emiliano Degl’Innocenti

Greta Franzini

Els De Paermentie

Franz Fischer

Mike Kestemont

Lynn Ransom

Dominique Stutzmann

Georg Vogeler

2016 Schoenberg Symposium—Next Month!

9th Annual Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age

November 17-19, 2016

Reactions: Medieval/Modern

In partnership with the Rare Book Department of the Free Library of Philadelphia, the Schoenberg Institute of Manuscript Studies (SIMS) at the University of Pennsylvania Libraries is pleased to announce the 9th Annual Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age. This year's theme, "Reactions: Medieval/Modern," gives us space to explore the many and varied ways that people have reacted to, and acted upon, manuscripts from the Middle Ages up to today. Reactions take many forms. They include the manipulation of physical objects through, for example, the marking up of texts, addition of illustrations, the disbinding of books or rebinding of fragments, as well as the manipulation of digital objects, thanks to new technologies involved in digitization, ink and parchment analysis, virtual reconstruction, among many other processes. This symposium will also tackle how popular culture has reacted to manuscripts over time as witnessed by their use and appearance in books, games, films, and tattoo art. Our keynote speaker will be Michelle P. Brown, Professor emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and former Curator of Manuscripts at the British Library.

For more information and to register, visit the website: http://www.library.upenn.edu/exhibits/lectures/ljs_symposium9.html.

Lecture - Dark Mirror: The Medieval Origins of Anti-Jewish Iconography

       

 

On Saturday, November 12th, Temple Covenant of Peace will be hosting a talk by Dr. Sara Lipton who will be lecturing on her book Dark Mirror: The Medieval Origins of Anti-Jewish Iconography. Prof. Lipton's work traces how the image of the "Jew" evolved into a recognizable iconography whose development and refinement was the result of the social, religious and economic concerns of the Middle Ages. Using medieval illustrations and texts, Dr. Lipton explains how the roots of Jewish caricature began much earlier than the 1500s when it has been assumed to have started.

Please join us for this FREE presentation.

WHAT:      Lecture - Dark Mirror: The Medieval Origins of Anti-Jewish Iconography

WHO:       Dr. Sara Lipton of the State University of New York, Stony Brook

WHEN:      Saturday, November 12th at 7 p.m.

WHERE:   Temple Covenant of Peace, 1451 Northampton St., Easton, PA.

Telephone 610-253-2031

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The Jackson Lecture in Byzantine Art at Temple University

Andrea Olsen Lam, "The Expectant Icon: Transformation and Ritual in Byzantium"

Andrea Olsen Lam, Instructor, Dept. of Art, Biola University specializes in the art and architecture of Christian pilgrimage, private devotional arts and the history of the medieval icon.

Date: Thursday, October 27 at 6:00 PM

Location: Temple University, Anderson Hall, Room 007

The event is free and open to the public: sponsored by the Department of Art History, Tyler School of Art and Temple University's General Activities Fund.

 

Our Thanks

The DVMA would like to offer its sincere gratitude to the Schoenberg Institute for Manuscript Studies at the University of Pennsylvania Libraries and the Princeton Index of Christian Art for their continued support of our programs.

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